It Is Biutiful..

Just watched Biutiful – the story of a dying conman played by Javier Bardem. Set in a Barcelona that rarely graces our screens, dark and flawed, seering your emotions from high to low with wonderful intensity with Bardem at the centre, pulling you along through his dark life in a fractured city. Director Inarittu’s view of this Barcelona is more akin to the slums of South America than the picture perfect rose tint of Woody Allen who also took Bardem and Barcelona as his muse.

I don’t know when I’ll next be in Barcelona, a city that always felt like a home, but I’ll certainly look at it with fresh eyes when I do. Surely the mark of a great film.

Une bonne journée

Today has been a fun day, with a dash of gallic flavour. C’est bonne, ca.

Around midday we headed down to the Secret Cinema at Leake Street, the tunnels underneath Waterloo. As usual with Secret Cinema we had no idea what film was going to be shown, just general instructions on what to wear (50s/60s European with a white scarf) and where to turn up. I knew that Secret Cinema involved re-enactments of the film around seeing the film itself, but not much more than that. So, looking a lot smarter than usual for a Saturday afternoon, we rocked up to Leake Street to find a large queue of people entering, and lots of soldiers herding people along, all talking French. I was ‘lucky’ enough to be singled out by the soldiers, and made to stand with my hands against the wall as my identification documents were confiscated. Then after some minutes myself and the other detainees were taken to a dark room, followed by an indoctrination talk with spotlights in our eyes where we were asked to sign out name as belonging to a terrorist organisation. Even knowing that this was all an act it was pretty unnerving, especially when a planted audience member was taken to one side, beaten and thrown in a prison cell to be tortured. Magnifique!

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Film: There Will Be Blood

Finally got around to watching this brooding masterpiece of a film last night. For some reason I’ve always gotten There Will Be Blood and No Country for Old Men mixed up in my head, purely because they were on at the cinema at the same time. There is absolutely no relationship between the two movies, one being about a slightly psychopathic oil man in the earliest days of prospecting, and the other being about a man on the run from a psychopathic killer. Oh wait. Guess there are some similarities after all.. both are great movies but as dark as anything, ‘No Country’ is a Coen Brothers movie in the style of Fargo without the humour so don’t expect light watching with either.

There Will Be Blood is a real powerhouse of a movie. Daniel Day-Lewis takes the lead as an oil prospector, Daniel Plainview, who works his way up from the bottom through his own hard work and cunning, yet still acknowledging that only one in twenty prospectors ever strike big. Along the way he loses a lot of compatriots, and makes few friends, being unrelenting in his pursuit of oil success. After achieving some early finds, he is approached by a young man who tells him of oil on his farmstead in return for money. Plainview visits the farm and finds the boy’s twin brother, Eli Sunday, a fanatical Christian played with creepy genius by Paul Dano. Buying up the farm and the surrounding area, Plainview grows his empire – facing loss and gains along the way, within a circle of his own self-created loneliness.

There is no redemption in this movie for the principle players, just dark drilling into the human soul and psyche. The beauty here lies in the cinematic vistas of early oil fields, and the starkly wonderful soundtrack by Johnny Greenwood of Radiohead fame. There Will Be Blood is a must see movie, but have a cheery follow up film as a follow up – for us it was The Triplets of Belleville, a quirky French animated movie about one Grandmother’s quest to cheer up her Grandson with surreal consequences. Very enjoyable.

Meeting my Idols #2: Terry Gilliam

Terry Gilliam in Q&A @ The Curzon Mayfair
Originally uploaded by ultrahi.

Last night we had the joy of seeing Terry Gilliam’s latest film, The Imaginarium of Doctor Parnassus, followed by a Q&A with the great director himself. All very exciting stuff.

The film is awesome, a fantastical myth making tale along the lines of Baron Munchausen, with great performances from all the actors. The way in which Heath Ledger’s untimely departure from halfway through filming is handled extremely well and, if anything, adds to the film – as in some scenes Heath’s English accent veers a little antipodean or is smothered in excessive use of the word ‘mate’.

Lily Cole is visually stunning and hypnotising as Parnassus’ daughter, unaware of her imminent fate as the trade made in a bet between Parnassus and the Devil – played excellently by Christopher Plummer and Tom Wait respectively. Why are Gilliam’s casting choices always so spot on?

After the fun of the film we got to spend a while in Q&A with Terry Gilliam. He was at ease, happy to go into stories, and full of interesting anecdotes. The only annoyance was the apparent inability for some audience members to not ask questions regarding Heath’s death and family, all of which had been answered by Terry in many of his recent interviews or were just deeply inappropriate.

Post Q&A Terry was thronged by fans outside in the bar, some more greedy with his time than others, but thankfully he found a few seconds on the way out the day to sign my favourite Brazil DVD. Huzah! Fanboy #2 goal achieved (#1 being meeting Eddie Izzard back in ‘98 of course).